Sviatoslav Richter: L’ Insoumis
Widely considered one of the greatest pianists of the 20th century. While he very much enjoyed performing for an audience, Richter hated planning concerts years in advance, and in later life took to playing at very short notice in small, most often darkened halls, with only a small lamp lighting the score. Richter claimed that this setting helped the audience focus on the music being performed, rather than on extraneous and irrelevant matters such as the performer’s grimaces and gestures.
In 1986, Richter embarked on a six-month tour of Siberia with his beloved Yamaha piano, giving possibly as many as 150 recitals, at times performing in small towns that did not even have a concert hall. It is said that after one such concert, the members of the audience, who had never before heard classical music performed, gathered in the middle of the hall and started swaying from side to side to celebrate the performer. It is said that in his last years Richter contemplated giving concerts free of charge.